박스로그세상사

40분 정도 줄을 서서 기다린 다음에야 차례를 맞이 할 수 있었습니다.

묵념이 시작되자 그만 주체하지 못하고 남녀노소 가릴것 없이 하나.둘  울음이 터져 나옵니다.

아~ 역대 어느 대통령이 이렇게 국민들의 애절한 사랑을 받았나 싶습니다.

유시민 의원님의 편지 첨부 합니다.

최양락 배칠수의 라디오 프로그램에서..아쉬움 마음을 전하고 있습니다.

한국 정치인에게서 찾아볼 수 없었던 '정의' 를 내게 보여준 故노무현 대통령
그의 죽음을 슬퍼하는 많은 사람들의 모습이 나의 한숨을 멈추지 않게한다.

그의 명연설들...

Final Image Preview

Original Image

This photo is from nokomai on stock.xchng. If you’d like to work with the original file, it’s located here. For this tutorial, I’ll be zooming in on the lips to show you the process.

Plumping the Lips

The sheen of lip gloss often gives the impression of plumper lips. To support this illusion, we’ll start by using the Liquify tool (Filter » Liquify). I set my brush size to 195px and select the Bloat tool from the left-hand menu in the dialog window. Then I single-click appoximately five times along the horizontal center of her her lower lip:

The result:

Colorizing the Lips

Colorizing the lips will help them appear moist and as if she is wearing a tinted gloss. I turn on size jitter , select a 30px brush, and pick a light red color (#c83a3a). I create a new layer and roughly paint over the lips.

To blend the color in, I set the Blend Mode for that layer to Soft Light. I also set the layer opacity to 50%.

Finally, I clean up the rough edges with a 100px eraser on 0% hardness. Since the eraser is so large, the edges are very soft—great for subtle blending. I carefully use the soft edge to erase the hard edges of the color. Notice the difference on the far left, far right, and bottom areas of the lips.

Adding Shine

This is the trickiest part!

Before I do anything else, I look at the lips and judge where my light source is. In this case, it appears to be coming from the top left, so I will paint my shine accordingly. If you’re unsure, it’s useful to have reference images.

When light hits a thin coat of lip gloss, it will catch all the little lines in the lips. Our first step is to highlight the more obvious of these lines.

To do so, I set my brush to 5px, white, with size jitter on. I use a series of short, up-and-down strokes to achieve a ‘tapered’ effect. So, for the below stroke, I brush up and down a few times until the middle is the desired thickness, then ‘flick’ my stylus upward so that it will taper on top. I repeat this to taper it on the bottom, too.

With one stroke complete, I proceed to add more strokes. Look for obvious creases in the lips, then place a stroke on the side of it that’s opposite that of your light source.

Next, I begin adding blocks of shine. These will be largest where the light is hitting, then become less obvious as you move away from the light source. I use a consistent up-and-down motion with a light touch to paint these blocks.

As you move away from the light source, the lighting will be less defined. To create a more scattered effect, I just began ‘dotting’ the color instead of painting in strokes.

Here I add some additional sheen on the upper lip. Again, the detail comes from simply ‘dotting’ color and using small, up-and-down strokes.

I reduce the opacity of my shine layer to 80%.

To add an additional reflection from non-direct light, I increase my brush size to 9px and keep the size jitter on. I create a new layer and reduce the opacity to 40%.

In the above image, you can see the natural grooves of the lips as they meet the area where her lips part. These will guide the shape you form.

Using small, circular strokes, I create a shape that is much more general than our first shine. The circular strokes should be most obvious near the grooves in the lips, where small Vs are formed atop the grooves and in-between your circle-strokes. (See image below.) The shape should generally cover any area that you included light, and taper off as it approaches the left and right sides of the mouth.

I use the same technique to add sheen to the top lip.

I reduce the opacity of the layer to 20%.

Final Image

Here’s our final image:

1박 2일! 홍천 DTS 로의 업무성(?)여행..을 다녀 왔습니다.




새벽 5시 출발로 인해 30대이신 형님들 많이 지쳐 보이십니다.

간사님들의 따뜻한 웰컴으로 하려던 일을 무사히 마칠수 있었습니다.(물론 나와봐야 알겠지만;;;)
함께 해준 두분과 홍천 관계자 여러분께 감사를...

사무실에 방문해준 크레이지 송!
가지고 다니던 28-70 L 이 너무 무거워 구매한 번들렌즈..
가격대비 참 훌륭한 렌즈 인듯.

핸드폰 사진으로 찍어서 화질은 엉망!
(그래도 조명발좀 받아보겠다고 창가 위에서 찍은 사진)

삼겹살,양파,생강즙, 소주 2잔, 파, 마늘, 팽이버섯, 고추장, 간장, 물엿, 후추, 통깨

등등을 넣어 만들었다.
 
지금은 사진촬영후 냉장실에서 숙성중 ㅋ
맛은 잠시후에 먹어보고 리플로 달아야 겠다.